AVA Academia

  • Basics Film-Making 04: The Language of Film Robert Edgar-Hunt, John Marland, Steven Rawle

    $29.95

  • Basics Film-Making 04: The Language of Film explores the means by which film communicates meaning.

     

    Most films are a mosaic of fractured images and fragmented narratives, yet we have little problem piecing them together into a complete, meaningful sequence. The average audience is capable of following the most labyrinthine plots, feeling genuine emotion for characters, and believing that their worlds continue to exist even after the film has ended.

     

    This book discusses the stories films tell, the sign-systems they deploy, the interpretive contexts we are invited to place them in, and the range of aesthetic elements which contribute to the cinematic image.

     

    Visit the AVA Academia YouTube channel to view the student films that are referred to in the book.

  • Key features
    • A discussion of the complex ways in which film conveys meaning.

      Presents difficult ideas in a clear and straightforward style, enabling readers to apply these ideas to their own analysis or film-making.

      Each chapter concludes with a case study, in which key ideas are seen in context within a particular film, or a specific scene.

      An in-depth guide, supported by interviews, student exercises and resources, all presented in a visually stimulating style designed to appeal to students and practitioners of the creative arts.

  • Robert Edgar-Hunt, John Marland and Steven Rawle lecture at York St John University, where Robert is Programme Head of Film and TV Production, John is a senior lecturer in Film and TV Production, and Steven is a lecturer in Film Studies.

  • Reviews

    'An excellent book - relevant and interesting. Written in a clear manner. The case studies make the reading more enjoyable. Great style, clear format - very well presented.'

    Donna Stephens, Plymouth College of Art, UK

    'An extremely enjoyable and engaging read ... For novice film-makers complex theory is made accessible in bite-sized pieces, supported by interesting case studies and 'asides' of film fact/history.'

    Elaine Drainville, University of Sunderland, UK

    'An excellent book, brilliant resource, perfect layout.'

    Neil Smith, York College, UK

    'I like the idea of having a text for this class that isn't just about the technical aspects of what a camera is and how to use it. And I really appreciate the easy to read layout and and small bites of information.'

    Christine Dehne , Manhattanville, USA

    'An interesting and contemporary look at cinema with a clear break down of topics and themes. I structured my classes around many of the chapter headings.'

    Nicole Antebi, California State University-Monterey Bay, USA

    'A good basic text, covering simple theoretical aspects of film in relation to practice. Used in classes and on reading list for the first project in Year 1. Useful as introduction to the relationship between theory and practice.'

    Liam Wells, Norwich university College of the Arts, UK

    'This exploratory reading is notably succinct, informative and moreover, digestible from a beginner's perspective.'

    Adrian Beasley, London Metropolitan University, UK

    'Very good text and one of the best I have read on this subject.'

    Mikael Sorknaes, Business Academy Southwest, Denmark

    'A lovely book, beautifully laid out and chock full of information.'

    Melanie Reim, Fashion Institute of Technology, USA
  • Readership: Intermediate

    978 2 940411 27 6
    192 pages
    200 colour images
    230mm x 160mm
    Paperback
    May 2010